In Claude McKay’s, “Harlem Dancer”, he uses a double edged motif of happiness and turmoil to express the anguish that the protagonist feels about her profession. The positive images conjured include, “perfect, half-clothed body sway (line 2)”, “proudly-swaying palm (line 7)” and “black shiny curls luxuriant fell (line9-10)”. One should pay attention to the image of strength with “palm” and the “luxuriant” quality, which lends a posh description of the dancer. To engage the sense of the ears, McKay writes that the dancer has a voice like “blended flutes (line 3)”, which likens her voice with harmonious music. These descriptions evoke a sense that a talent, beautiful, confidant woman is enjoys giving her performance to the audience.
However, one later realizes that she does not enjoy dancing for her audience and shields her true emotions for the sake of her performance. McKay writes that she seems stronger for “passing through a storm (line 8)” and had a “falsely-smiling face (line 13)”. It is important to note that the previous sound of “blended flutes” contrasts with the “storm” that is presented as the yang in the dual emotions that the dancer feels. In addition, the “falsely-smiling face” means that she is presenting a façade to the audience. Furthermore, the image of a seaside beach depicted by her body being like a “palm” is in contrast with the “strange” place that the writer alludes to. This strange place is of unknown description, but one gathers that it has a negative, uncertain quality to it. Thus, McKay uses imagery and sound to present the happiness that the Harlem dancer must show to the audience and the inner turmoil that she feels from dancing for money in front of an audience that “devours” her form.